Presentation Schedule
Navigating Contexts: A Periodization Methodology for Understanding Hong Kong Art (94358)
Session: On Demand
Room: Virtual Video Presentation
Presentation Type:Virtual Presentation
This article examines the periodization methodology of Hong Kong art, offering a comprehensive framework for understanding its evolution through distinct historical phases. By analyzing the unique socio-political context of Hong Kong, especially the influences of colonialism, globalization, and cultural hybridity, the study proposes a nuanced periodization that reflects both local and global artistic developments. The research identifies key periods: the colonial period (1842-1997), characterized by the introduction of Western artistic practices; the post-handover era (1997-present), marked by the interplay of identity and resistance amid socio-political changes; and the contemporary phase, where digital media and global dialogues increasingly shape artistic expression. The article critiques existing methodologies that often overlook the complexities of local contexts and proposes a multi-faceted approach that incorporates stylistic, thematic, and cultural dimensions. By integrating the contributions of significant artists and movements within each identified period, the study highlights how Hong Kong art serves as a reflection of its dynamic socio-cultural landscape. It also emphasizes the role of institutional frameworks, such as art fairs and galleries, in shaping public perception and promoting artistic discourse. Ultimately, this periodization methodology aims to provide a more inclusive and representative understanding of Hong Kong art history, fostering deeper engagement with the region's artistic practices. The findings contribute to the broader discourse on art history and periodization, offering insights that are applicable to other cultural contexts facing similar complexities.
Authors:
Chun Fan Wong, Lingnan University, Hong Kong
About the Presenter(s)
Jacky Wong is one of major art critic in Hong Kong, holder of Master of Curating and Art History.
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